Take Saving Private Ryan, Dunkirk, Gravity and Battlefield 1, throw ’em all in a blender, hit puree and the result is 1917.
Sam Mendes’ movie is undeniably beautiful – it’s one of the best-looking films of the year as shot by esteemed cinematographer Roger Deakins. It also sports a splendid score from Thomas Newman. All that said, it’s kinda boring.
Saving Private Ryan and Dunkirk mop the floor with this movie. 1917 lacks the tension of Gravity. The picture kinda feels like it’s on rails like Battlefield 1, but your buddy’s hogging the controller and you’re stuck simply watching. 1917 ultimately packs some emotional wallop in the late goings, but most the movie you’re stuck with ciphers you don’t really get to know. The picture also strains the realms of believability – there are some A-Team gunfight dynamics at play here – our primary protagonist is pretty much a crack shot and the Jerries can’t hit the broad side of a barn.
Ultimately, 1917 AKA Saving Leftenant Blake is a technical marvel that veers into emotional hollowness. It’s more sizzle than steak, but what sizzle …